New Robert Pattinson EW Outtake

I love it btw

Robert Pattinson Photos, New EW Outtakes

from last year, source on pics

E! News Talks EW's New Moon Mag Spread

Vote Daily For Rob For The MTV Movie Awards Click Here

EW's New Moon Exclusive Pics and Scoop

'New Moon': 3 Exclusive Photos and On-the-Set Scoop

''Of course it's different,'' says Kristen Stewart. Okay, maybe it was silly to ask if things had changed since she filmed Twilight a year ago. New Moon, the second movie adapted from Stephenie Meyer's novels, is shooting in Vancouver, Canada, instead of Oregon; fans are now showing up in droves; and director Chris Weitz (The Golden Compass) has taken the reins. In the movie, Bella (Stewart) has been abandoned by her vampire love, Edward (Robert Pattinson), but she hears his voice in her thoughts, even as she finds herself drawn to her friend Jacob (Taylor Lautner). ''When you get broken up with, it really is the worst thing in the world,'' says Weitz. ''Meyer gives a kind of supernatural context to people's real feelings, which sums up what we all go through.''

Happy birthday, Bella! In this EW exclusive photo, the movie's newly 18-year-old heroine has been thrown against a rose-covered table by her beloved, Edward. Readers will know his intentions were honorable: He was trying to protect Bella (and her paper cut!) from the vampire Jasper. ''The whole cast is reading the book and wanting to get it right,'' says Weitz (center, with Stewart, assistant director Mike Topoozian, and makeup artist Robin Mathews). ''They want to deliver on the promise these books make to the readers.''

''I'm telling Bella not to be fearful of death. It's inevitable and painless,'' says Edi Gathegi, who returns in New Moon as the somewhat mysterious vampire Laurent, in this EW exclusive photo. ''He was bad in Twilight, but still had some compassion. Let's just say he's not conflicted anymore.''a>

One of director Weitz's creative challenges is Edward's long absence in the novel: ''Rob was the first guy to say to me, 'You know, you don't really need to have too much of me in this film.' I don't want him too present, so his apparition will be a subtle, flitting effect — clearly a reflection of Bella's will and desire to see him.''

source


Vote Daily For Rob For The MTV Movie Awards Click Here

Pattinson looks startlingly like Dali even before he starts to grow the artist's trademark upside-down mustache.

It's not too hard to see why Robert Pattinson was chosen — months 
 before he put the gleam in 20 million Twilight fans' eyes — to play the young Salvador Dalí in Little Ashes. With his hair slicked back in elegant '20s style, and those giant, saucerish orbs popping out of their sockets in mock amazement, Pattinson looks startlingly like Dali even before he starts to grow the artist's trademark upside-down mustache. The actor makes a great entrance, emerging from a car in ruffles, a Louise Brooks haircut, and a high theatrical pout, all to greet — or, more accurately, to ignore — his fellow students at a 
 university in Madrid. But don't get your hopes up: This androgynous exhibitionist turns out to be the most wilting of wallflowers on the inside.

Little Ashes tells the tale, largely speculative, of Dali's student romance with the budding leftist poet Federico Garcia Lorca (Javier Beltran), and the movie has the dubious distinction of using their moony homoerotic love affair didactically, as a way to trash Dali the artist. The relationship, which climaxes with a midnight swim that looks like an outtake from an 
 Esther Williams water ballet, is supposed to express the "real" Dali. Whereas the raging, antibourgeois, satirically mad surrealist he becomes is treated as a fraud — a cover-up 
 for his tender self. Even if you buy that (and I didn't — I love Dali's visionary vulgarity too much), Pattinson and Beltran are stuck with a rudderless script, and they make a soft, dull pair. I wish the film had more of Matthew McNulty's firebrand performance 
 as Luis Buñuel, whose collaboration with Dali on the revolutionary short film Un Chien Andalou comes off here as an arty caprice that interrupted the cause of true love. I can't imagine what Dali or Buñuel would have made of such bourgeois sentimentality.

source

VMan and EW Outtakes part 2

for more click here

send any of your rob news @ planetrobwebsite@gmail.com