This is the translated version for the original spanish version click here
The vampire of milk eyeteeth sharpens moustaches now. Famous by his paper of Edward Cullen in “Twilight”, the inexperienced Robert Pattinson releases east Friday “Without limits”, where he incarnates to a Salvador Dali posadolescente. He films, directed by Paul Morrison, approaches the tremulous youth of Lorca, Buñuel and the own Catalan painter in the years of the Residence of Students.
Lorca and Dalí in the film.
Lorca and Dalí in the film.
In conversation with elmundo.es, Pattinson speaks of the film, reflects on its fame and it confesses small secrets to us. With his 22 modal añitos of exquisite, the actor chooses the words scrupulously. But he surprises it to a question with the low guard: which is its favorite picture of Dalí? “Ah… Ehm… It has, has… are many”.
False alarm. After the initial hesitation/, Pattinson bites an intelligent critic: “Their works of the 70 enchant to Me, when it denigrated to him because only it made pictures of rich people who filled the pocket to him. But to fascinate to me that it hardly spent two days in painting as real pictures as photos”.
The personage is preparation conscientiously, although he confesses that he knew very little of the artist and was commited to read several biographies. Conclusions?
“Its real life was continuous “a performance”: it adored to contradict themselves to itself and to confuse people. I began to construct the personage from that angle: somebody so introvert who consecrated all their life to manipulate the perception that the public had of him”.
“The scene of sex between Lorca and Dalí is traumatic”
“Without limits” it either does not try to seat absolute truths around the stumped biographies of his protagonists. It films is omen of controversy by his picture of the relation between Lorca and Dalí.
Pattinson thinks that the reality in this case is very fragile: “No was explicit on the matter. Dalí took years in recognizing how much it had meant Lorca for him, but the letters that interchanged demonstrate a bond. And if that entailed… In short, who we are for judging? Among them there was no a current romance. He was something different, as interpret I it”.
Poster of the film.
Poster of the film.
The London actor defends that “Without limits” he is based on a possible interpretation of the reality. And that version includes sodomita scene between the painter and the poet. “In this film, the sex scenes are squalid”, explains Pattinson. “Although it is created enamored with Lorca, Dalí undergoes a nervous collapse because it has phobia to sex. Him aterra as much to penetrate as to be penetrated, is a panic that drags all their life. It films suggests the episode with Lorca was its unique time. The unique one”.
Analyzed all this, it is possible to ask itself if Pattinson is looked in something like Dalí. “Yes, I share with him its hypersensitivity. I was very timid as a child”. And of major. “In the running, the Spaniards did not have any flesh color with the naked ones. The English, however… (A nervous laughter cuts into its phrases). Javier Beltrán (Lorca) was in balls and so calm”.
Perhaps Pattinson does not rejoice teaching skin? An outburst of laughter precedes the answer: “Absolutely! It inconveniences to me much to undress to me before the camera. At that time he was something ashamed of my body. He was embarrassing”.
“Much people want despreciarte for being famous”
Cuestra to believe it. Robert Pattinson? Prejudices? Its protagonism in “Twilight” has shot the inguinales rages of million adolescents. Certainly to bind is now easier. “In fact, not”.
And eye, approaches a cascade of aphorisms: “I believe that to the girls they like when it does not concern your “look to you”. And filming “Without limits” it felt to me so free… But now I am paranoiac because everybody judges to you. Much people want despreciarte by your fame. He is strange”.
Pattinson like the artist of Cadaqués.
Pattinson like the artist of Cadaqués.
That nobody is taken pity of Pattinson, that very the loafer vice complaint. “While we rolled in Barcelona there was a girl who always hoped to me. I had one week free and as it did not know anybody in the city I spoke with her. She was very likeable and quite handsome. It seemed normal. I asked to him why it was always there, and it answered to me that it wanted to invite to me to have dinner in the restaurant of its parents”.
Masterful play. Or it stakes nailed in the heart? “It invited to me, but she made pay me! Bond that was the restaurant of its parents, but she wanted a gratuity or what? (Laughter). In case outside little, one became bored as much with me that it never returned. Perhaps it loved only me by the money”.
Or by your melena indomitable, Robert. Pattinson recognizes that never it is combed: “Never. Of small, my father used to comb me to go to the school, and he hated so much… When I was made major to comb solito, I already did never it”.
“I have great objectives in the world of the cinema”
The obsession by the appearance of Robert is congenital in the Pattinson family. Until it turned 12 years, to its they dressed it brothers girl and they called Claudia. “, Yes good, that sounds a little more end than it was in fact”.
We bend eyebrow and we happened to speak of its referring filmic ones. Although it admires to actors like Ryan Gosling or Romain Duris, Pattinson indicates to Jack Nicholson like mirror in which to watch itself, because “it changes at will of registry and without effort”.
And directors? For whom it would like to work? “He would be incredible to agree with Milos Forman or Jacques Audiard. I believe that I am going to continue loosen names in the interviews, to see if some he calls to me (laughter). Tony Gilroy”.
No strategy is despicable when it is to reach the top. “I believe that the cinema is the best form of education in mass. And I have great objectives, although still I am not safe of which they are. I am going to sound like an idiot speaking of my desires, but I am a very ambitious person. Very ambitious”.
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